Though the digital clock on the bedside table in his hotel room read 5:17, Jack Griffin, suddenly wide awake, knew he wouldn’t be able to get back to sleep. He’d allowed himself to drift off too early the night before. On the heels of wakefulness came an unpleasant realization, that what he hadn’t wanted to admit yesterday, even to himself, was now all too clear in the solitary, predawn dark. He should have swallowed his petulance and waited the extra day for Joy.
It had been their long- established habit to flee the campus as soon as Griffin taught his last class. Usually, they hopped on the Freedom Trail (his term for I- 95), drove to New York and treated themselves by checking into a good hotel. During the day he would evaluate his small mountain of student portfolios while Joy shopped or otherwise amused herself, and then, evenings, they’d catch up on movies and go to good restaurants. The whole thing reminded him of the early years of their marriage back in L.A. It cost a small fortune, but there was something about spending money they didn’t really have that made him optimistic about more coming inÑwhich was how it had worked in L.A.Ñand it got him through the portfolios.
This year Kelsey’s Cape Cod wedding had royally screwed up their plans, making New York impractical, though he’d been willing to substitute Boston. But Joy, assuming that thanks to the wedding all the usual bets were off, had messed things up further by scheduling meetings on the day after his last class. “Just go,” she said when he expressed his annoyance at the way things were working out. “Have a boys’ night out in Boston and I’ll meet you on the Cape.” He’d squinted at this proposal. Didn’t you need more than one to have a boys’ night out? Or had Joy meant it to be singular, one boy celebrating his boyness? Was that how she’d understood the phrase all her life, as singular? Joy’s relationship to the English language was not without glitches. She was forever mixing metaphors, claiming that something was “a tough line to hoe.” Row to hoe? Line to walk? Her sisters, Jane and June, were even worse, and when corrected all three would narrow their eyes dangerously and identically. If they’d had a family motto, it would have been You Know Perfectly Well What I Mean.
Excerpted from That Old Cape Magic by Richard Russo Copyright © 2009 by Richard Russo. Excerpted by permission of Knopf, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Following his bestselling Bridge of Sighs, Pulitzer Prize winner Richard Russo gives us a story about a troubled marriage, an unconventional family and the ties that bind.
Driving around with your father’s ashes in the trunk may seem odd, but Jack has been doing it for nearly a year, unable to decide where to scatter them. And that’s not the only thing that seems caught in limbo. Some 30 years ago, on their Cape Cod honeymoon, Jack and Joy drafted the Great Truro Accord—a plan for their future that has largely been fulfilled. Leave L.A. for an academic position in New England? Check. Move into a charming old house and start a family? Check and check. So now what? With the cracks in his marriage starting to show, events at this year’s Cape Cod trip act as a catalyst that set his life spinning in a wholly unexpected direction.
One year later, his daughter is getting married, there’s a second urn in the trunk and he and his wife have brought their own dates to the festivities. Is this the end of his old life? Or will that old Cape Cod magic catch him and Joy in its spell as it did so long ago?
A novel of profound insight, That Old Cape Magic is Richard Russo at the top of his game.
Softcover: 272 pages
Publisher: Alfred A. Knopf, Inc./Random House ( August 04, 2009 )
Item #: 13-4682
ISBN: 9781616641733
Product Dimensions: 5.5 x 8.25 x 0.65 inches
Product Weight: 8.0 ounces

It takes a while to get going, but keep reading. The final chapter is very funny.
Reviewer: Peggy